Lady Gaga inside pink triangles, from “Born This Way” video
By Patrick S. Cheng
Lady Gaga, the global pop music sensation, is known for her strong lesbian, gay, bisexual, and transgender (LGBT) following. Whether it’s due to her fabulous wardrobe and makeup, her visually stunning music videos, her strong statements in support of LGBT rights, or her androgynous aesthetic, Gaga has cultivated a dedicated LGBT fan base over the last few years.
With the May 23 release of her most recent album, Born This Way, Lady Gaga has shown that she is much more than just a queer cultural icon. She is also a queer spiritual evangelist who refuses to shy away from controversial religious topics. Indeed, the provocative lyrics of several songs in Born This Way challenge, or “queer,” a number of deeply-held theological beliefs.
For example, in her title track “Born This Way” (see video below), Lady Gaga queers the classical Christian notion of original sin. Instead of understanding human beings as being fallen at birth, Gaga strongly affirms the intrinsic goodness of all persons. According to Gaga, we are “all born superstars” and that “God makes no mistakes.” In Gaga’s words, “Don’t be a drag – just be a queen.” Despite being “outcast, bullied, or teased” – as many LGBT children and youth are today – we are called to love ourselves unconditionally.
In “Black Jesus † Amen Fashion,” Lady Gaga uses the symbol of the Black Jesus to disrupt our conventional thought patterns, theological or otherwise. According to Gaga, this song is about her experiences of moving to downtown New York City at the age of 19 and experiencing an entirely new way of thinking. By lifting up the Black Jesus, Gaga challenges our deeply-held assumptions about faith, which is precisely what Black liberation theologians have done since the late 1960s. In this song, Gaga proclaims that “Jesus is the new black,” and calls on the Black Jesus to “Work it.” She challenges us to embrace a new way of seeing, which should be just like putting on new clothes and “fashion.”
In “Bloody Mary,” Lady Gaga lifts up the divine feminine, which parallels what feminist theologians have done for decades in the face of patriarchal religious oppression. According to an interview in the UK’s New Musical Express magazine, Gaga said that “Bloody Mary” is about exploring both the humanity and the divinity of the biblical figure of Mary Magdalene. Speaking in the voice of Mary Magdalene in the song, Gaga vows to be strong – to the point of being superhuman – in the face of Jesus’ crucifixion. She says that “I won’t cry for you,” despite the fact that she is afraid of dying alone (“J’ai peur mourir toute seule”).
Finally, in the provocative song “Judas” (see video below), Lady Gaga challenges the traditional demonization – or scapegoating – of Judas Iscariot. Although Judas is normally seen as the ultimate betrayer of Jesus Christ, Gaga sings “I’m in love with Judas” throughout the song. Although Jesus is Gaga’s “virtue,” Judas is the “demon” that she clings to. In the music video, Lady Gaga rides with the leader (that is, the Christ figure) of a 12-member motorcycle gang. However, Gaga is attracted to another biker, the Judas figure. Gaga has the chance to shoot Judas, but she does not do so. Instead, Gaga is stoned to death by those around her.
As I have written elsewhere, “Judas” reminds me of the second-century gnostic Gospel of Judas. According to that non-canonical gospel, Judas is actually the most loyal of the twelve apostles. He is the only apostle who truly understands Jesus’ mission. That is, Judas is simply following Jesus’ command by turning him over to the authorities. As such, Judas is the but-for cause of our salvation! For me, the song “Judas” challenges us to rethink our assumptions about salvation and to examine more closely the ways in which our faith traditions often scapegoat the “other,” including LGBT people.
In sum, Lady Gaga’s new album, Born This Way, is an exciting new expression of queer spirituality. Hopefully it will provoke much discussion among LGBT theological, religious, and spiritual enthusiasts in the weeks and months to come.
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Patrick S. Cheng is the Assistant Professor of Historical and Systematic Theology at Episcopal Divinity School in Cambridge, MA. He writes for the religion section of the Huffington Post, and he is the author of Radical Love: An Introduction to Queer Theology. For more information about Patrick, see his website at http://www.patrickcheng.net/index.html.
You might also enjoy:
“Lady Gaga Walks the Weird Wall: Toby Johnson Reflects on the Goddess Mythology of BORN THIS WAY” by gay spirituality author Toby Johnson at the MyOutSpirit Gay Spirituality Blog
“Erotic Christ / Rethinking Sin and Grace for LGBT People” by Patrick Cheng